Skip to main content

Rift

In an alternate life, I volunteered with a ministry at New Life Church known as theMill. I came into contact with both Aaron Stern, theMill pastor, and Glenn Packiam, then the worship leader. Both exposed me to an outward-focused approach to worship, and Glenn challenged me with one principle that he keeps in mind when writing new worship songs: simple singability. Glenn said that some of the best songs are those that are memorable not just for their encouraging message, but because they have a simple melody. Utilizing this new-found concept, I penned the song "Rift".

Written with some nod to the Davidic Psalms, "Rift" contains both confessional and prayerful elements. I personally found writing my first song written specifically for worship quite challenging. So many of my contemporaries are content to write songs that exclude the human condition or acknowledge the supreme sovereignty of the Savior. Being aware of this issue, I felt compelled to dig deeper and attempt a set of lyrics that spoke weightier things about the journey of relational, gospel-centric christianity.

The flavor of "Rift" has always been somewhat influenced by pop punk elements, and the band was happy to emphasize these in the final version. Evan (one of the drummers) lent his arranging abilities to the composition, and the other players easily followed suit.

During production of this track, I felt free to try a bit of experimental recording technique, as heard in the first few seconds of the tune. The effect is of the listener traveling very quickly towards the electric guitar amplifier, causing the tone to start distant and quiet, growing to a larger intimate roar. This was achieved by physically moving the microphone during the recording process, a bit of new turf for me as an engineer.

Comments

Popular posts from this blog

FBR on Boundless - Lisa Anderson Interview

  Listen to the entire interview with the Boundless podcast host, Lisa Anderson .

Inner View

In the midst of economic woes, I have a personal and vested interest in utilizing my creative gifts to earn a living. Recently, I had an opportunity that looked promising towards such an end. Within a 24 hour window, I had: 1. An email in my inbox asking me to contact the interested company as soon as possible regarding an interview, 2. The phone interview, 3. The physical interview, 4. The job offer, and most importantly of all 5. An opportunity to trust in Grace. My attitude initially was very poor. I did not expect to be offered employment, and as a matter of fact, I had actually planned on such a contingency, so as not to be disappointed. Thus far, I had chosen to disregard the Savior's provision and lovingkindness in favor of another attempt at control. Having not interviewed for several years, my skills were quite rusty. Thankfully, the hiring manager was not overly seasoned, and God brought me favor during the interview process. In what seemed like a dizzying blur, the int

Could it be True?

One of my personal favorites from the message of TrueFaced is the principle that talks about God's design. Being currently stuck somewhere between underemployed and unemployed, I've had ample opportunity to give this some thought. Admittedly, I am the sort of person that would much prefer to leave the Savior out of the equation. In a practical sense, give me a paycheck and a time clock, and I will gladly give my allegiance to...myself. The writers of TrueFaced echo sound biblical counsel that speaks of the incredible purpose that we are built into. Beyond and superseding the mundane, the Father's intimate knowledge of His children allows Him to perfectly craft their development into a vibrant and integral part of His body. His ways are perfect because His knowledge is perfect. No one in the universe is more qualified to dream with and for us than our God. Previously, this concept has been foreign to me not because it did not sound alluring, but because I failed to belie